The Designers Republic story
Great article from the Creative Review about one of the most original design companies of the modern era. As a company name, the Designers Republic was a masterstroke. This mysterious entity sounded big and well organised and it had the air of being an outfit with a purpose and a plan. There was nothing modest or retiring about such a moniker and 1986, the year they started, was a good time for a designer to make this kind of statement.
Back then, mainstream design groups tended to have prosaic, ad agency type names such as Smith & Milton, Lewis Moberly and The Partners. Designers calling themselves Assorted Images, Rocking Russian or 23 Envelope invariably worked for the music business, their handles as weird and unlikely as the rock groups their cover art represented.
The Designers Republic went a step further, the very name a declaration that in this territory design was the administration, the ruling party, the occupying power. Wherever or whatever this republic might be, it sounded like a bolt-hole for people whose one true purpose and satisfaction was design.
Finding out that tDR were based in Sheffield only thickened the mystery. They had no plans to leave the city, they said, and they stuck to their guns. People still asked them about this long after it had ceased to be an issue, but in the late 1980s there were few designers with national reputations operating outside the capital. Attracted by Sheffield’s thriving music scene and bands such as Cabaret Voltaire and the Human League, Ian Anderson had left London in the early 1980s to study philosophy at Sheffield University. He liked the pub and club culture, made friends and put down roots. Read more.
Also see this other Creative Review article: The Designers Republic Remembered.
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